It is based on six years of participant-observation and performance ethnography there, as well as a nine-month period of comparative fieldwork in Hong Kong. This dissertation is an investigation of the percussion used to accompany Chinese martial arts and lion dancing at Toronto, Canada’s Hong Luck Kung Fu Club. He is currently researching self-defence discourses, narratives, representations and practices. His next forthcoming monograph is The Invention of Martial Arts: Popular Culture Between Asia And America. He is author of eleven academic monographs on a range of topics in cultural theory, film, media and popular culture, most recently Deconstructing Martial Arts, which is published free online by Cardiff University Press. Contributor: Paul Bowman is professor of cultural studies at Cardiff University. ![]() ![]() The analysis suggests that caricatures, clichés and stereotypes of China, Chinese people and Chinese 'things' are so common that there can be said to be a glaring seam of unacknowledged, uninterrogated and hence 'invisible' racism in British advertising. ![]() Based on a historical survey of British television adverts from 1955 to 2018, it argues that a predictable, recurring, limited set of aural, visual and narrative clichés and stereotypes have functioned-and continue to function-as the principal resources to evoke 'Chineseness' in British television adverts. This article asks whether orientalism remains present or active within one dominant contemporary media context: British television adverts. Edward Said's theory of orientalism proposes that Western European culture has overwhelmingly tended to (mis)represent non-European cultures, societies, regions, and ethnic groups via mythic, romantic, simplistic and simplifying sets of binaries.
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